Must cosign Tom Ewing's mild amazement at this piece that argues for Donna Summer's worthiness for inclusion in the Rock and Roll Hall Fame but doesn't even mention the world-historical recording "I Feel Love" Lots that was news to me in the piece, but the general gist - the idea of Donna-as-rocker; like some girl in a Stones song come to defiant life, or a female Rick James - actually seemed
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