reading bonanza
Jeff Chang on Dizzee. Interestingly invoking Kodwo and positing Grime as the return of More Brilliant Than The Sun’s repressed: “sociology, biography, and the real”. But when he refers to “London’s black dance music scene” in the mid-90s seeming to “cast off history’s weight and speed toward the millenium” I think he’s mistaking rhetoric (critical, and the scene’s own) for
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