Me in the New York Times on dance music's struggle to work through its midlife crisis/identity crisis, i.e. work out what it is actually about or for these days, now it's neither mainstream nor underground.
Some paragraphs that got lost but give some context and nuance:
[picking up from the knifehandchop/soundmurderer bit]
"In many ways, though, these retro-ravers are no different from
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