Best bit of this K-punk riff on glam's nietzchean will-to-splendor and its paradoxical ethos of egalitarian hierarchism, is the sideswipe at the absurdly over-rated Smash Hits, recently deceased with circulation figures lower than the NME it once eclipsed so dramatically in the Eighties. As Mark points out, SHits, for all its anti-rockism, was equally opposed to the very currents of awe and
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