Dissonant domestic scene #2: cradling a newborn girl-child on one's chest while watching Videodrome on TV. For some reason this film struck me as a lot more powerful this time round (the third? something like that). Can anyone enlighten here? Are there, like, two edits of the movie in circulation? (C.f. The Man Who Fell To Earth, where the original edit for the American market is an utter
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