"forced, lifeless, wearing, and flat"--Nick Southall* at Stylus proves that modern music sounds shit. The principal culprit is "dynamic range compression", record biz weapon #1 in the loudness wars. At the first EMP conference, Douglas Wolk did a presentation on this very topic, demonstrating the pernicious effects of DRC by playing Led Zep's "Trampled Underfoot" with successive and escalating
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