Typically interesting piece by Nick Sylvester at Riff City about going back to a record he didn't like and gave a jaw-droppingly low (from my point of view) grade when he reviewed it for Pitchfork six years ago--Doldrums by Ariel Pink's Haunted Graffiti--and seeing what he makes of it now. The answer is "not much, still" but that's not the interesting bit, it's his theory that Ariel Pink's music
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